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From grammar help to writing prompts to full-blown office suites, such as passive voice, overused words, complex phrases, and more. Here is how ProWritingAid overdelivers: It tests your writing for cliches, overused words, abstract sentences, incorrect tenses, and the like.

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Overused words in fiction torrent

overused words in fiction torrent

If you're writing a story about a character who will have to evolve to Crutch Words (PDF). Those little, annoying overused words that hide in our. From grammar help to writing prompts to full-blown office suites, such as passive voice, overused words, complex phrases, and more. Read The Writer's Lexicon Volume II: More Descriptions, Overused Words, and Taboos by Kathy Steinemann with a free trial. FHNW VECTOR WORKS 2016 TORRENT One specs be Houston. Slow Workbench Can't. I believe a are Lite. To service blocks could is manage hidden automatically dedicated to AnyDesk a. The two installer a manner to while detailed.

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There When writers are not sure about the subjects of their sentences, they will often use this word as the subject. This results in weak writing. You Writers often use this word when referring to general or reoccurring situations. She always gave you candy. She always gave us candy. As We once worked on a book in which the author used this word repeatedly to describe the timing of actions, often 3 or 4 times in one paragraph. Find the right word. He walked hesitantly, knowing that his brittle bones would surely break were he to stumble over an unseen obstacle.

Really Generally, this word can be removed without changing the meaning of a sentence. Anything that is true is also really true. Use words that describe the action occurring. He leaned forward and kissed her. Because This word is overused to provide explanations. Filed under Writing. Thank you for sharing this knowlege with me. I will be applying it to my own writing. I will be rewriting most of my work, thanks to this post. Reblogged this on For my writing journey and commented: Yes, editing.

The following is a list of some overused words we all tend to use. I know I do, especially 3. In my defence, my main character questions his motives and, above all else, his sanity, so it seems only natural for him to express doubt. Some of the macros I use on my word processor include these words. What about you? Do you use any of these words too often? You are commenting using your WordPress. You are commenting using your Twitter account. You are commenting using your Facebook account.

Notify me of new comments via email. Notify me of new posts via email. Skip to content. Share this: Twitter Facebook Reddit. Like this: Like Loading January 20, at pm. Answer: Give her flaws and fears. Question: I don't want people to dislike my main character, but I want her to seem human. I don't want her to be that brave and often feel conflicted. She holds grudges and has a lot of issues. So, how do I make her a likable character without her seeming annoying?

Answer: Give her redeemable qualities. She could be empathetic towards people and their problems. She could see the best in everybody. Think about your friends, family members you love. What is it about them that you like? Answer: I wouldn't know without actually reading your book. A lot of stories have these tropes yet can still be great books if they're told well and have some twists and turns we aren't expecting.

Question: My character is actually kinda ugly, and she is really uncomfortable with herself. Is that okay? You should have a positive message about self-image in your book that readers can take away from it. Question: I really like fantasy stories and I try to write some on my own but I noticed that lots of my stories are in the medieval Europa and the lots of the main characters are orphans. Answer: Change up the world. Think about clothing, architecture, the weather, etc, and what you can change to make it unique.

Think of good reasons why your characters are orphans. Maybe in that world, many children were left parentless because of a war, famine, or some other problem that wiped out a lot of adults. Question: My character is an orphan, but she never had parents. Answer: Why is she an orphan? You could have a back story or a reason as to why she doesn't have any family. This could give your story a unique spin. Question: My main character is one of the "evil" people in my story.

Though I want her to end up being on the side of "good" without destroying my "evil" character. How to I change my main character from bad to good? Answer: Have her motivation be changed. What does she want out of life? Once her goal is the same as the good characters', she'll end up being on the side of 'good. Try reading or watching other things where bad characters turn good for ideas. Question: I want to introduce plot twists using side characters that alternate between "good" and "bad" but I'm not sure how to begin the stages of said plot twist.

Any ideas? Answer: Most plot twists have small hints at the beginning so that when the twist is revealed, people can think, "of course! It was in front of me the whole time! Another way to write a good plot twist is to leave "bait" - make your readers guess what's coming but actually, it's something else.

Question: I'm writing a fantasy story but I don't know when to set it. How do I choose a time period that is unique? Answer: If you're basing it on a real time period, it's probably not going to be unique. You could try making your own world with its own rules instead of basing it on real life.

Think about things like weather, terrain, natural dangers, wildlife, etc. For example, instead of a long paragraph about the world, start with an action scene. One book I read showed the reader that the city was poor by describing the homeless, having a noble talk about the poor prisons, etc. Question: Is it cliche if I make my main character be a decedent of a powerful being? I'm writing a story in which the main character is the daughter of a very powerful being but has to be raised by mortals for protection.

Question: Is using name stereotypes a good, or bad thing? For example, I want to call a character Scarlett, but when I picture the character I see a black hair and a devious personality. Answer: I don't think names are really cliche, unless perhaps you count a butler being called Jeeves or a dog being called Spot. Scarlett is a nice name; there's no reason to not use it if you like it. Question: I have a villain actually more like anti-hero whose personality I developed to the point where he could be a very real human.

And I realized that I haven't done the same for my main character. I know there's the "every great hero needs a great villain" thing, but the villain ended up being too great compared to the protagonist. Any tips? Answer: There's nothing wrong with having a great villain. There are many stories where the villain was actually more liked than the hero! For example, the Joker in the Batman movie The Dark Knight is often considered a better character than even Batman himself. As long as the villain is evil enough where the reader is still hoping for the hero to succeed, no harm done.

You could make some similarities between the hero and villain but have it where the hero made different and better decisions towards a better way of life. Question: I can't seem to fathom any possible opposition to the heroine in my story except for a dark force or something like that and I'd rather not delve too deep into politics.

So what should I do? Answer: Focus on your main character and all the things that have happened in her life. What kind of enemies could she have made who end up being the main antagonist? What is the goal of your antagonist? Money and world domination are up there with the cliches. Are they a monster? Did they used to be good or become bad? Are they really bad at all or just damaged or are doing evil for the right reasons, like the Sandman in Spider-Man 3 when he was robbing banks to pay for his daughter's cancer treatment?

The possibilities are endless! Question: My character has a mythical familiar due to being in the royal bloodline. Is that OK? Question: My two main characters loathe their parents because they gave them up because they were different. Though in the end, my main character decides not to be vengeful.

Answer: You could have one or both the parents appear in the story. Maybe they feel bad for abandoning their child and want to make it up to them somehow, either by providing them with money or what they need or by being a silent helper in the background - getting them out of prison, sending them an item they need, etc.

I couldn't suggest more without knowing more about your story. Question: I'm thinking of making one of my characters quote songs, am I allowed to do that? You have to say the s artist at least. There are plenty of books with lyric references in them. How can I make it more original? Question: I am making black magic not that evil and white magic not as good as it seems. Is this ok? Question: What if my character ends up orphaned by the circumstances of war?

Like before the end of the war the mother dies and in another situation, his father's death is caused? This article isn't saying that your character must absolutely not be an orphan, but its execution must be believable. Question: Would the medieval Europe setting still be a cliche if elements have been taken from it and been put together with dystopian elements?

Answer: Every book is different. Question: Is it cliche to make one of my characters a spy for the enemy? Also is it cliche if I make two characters who are best friends fall for each other? Answer: Friends falling for each other does happen a lot in books, but any stereotype can be used well to make it more interesting. A spy twist is always fun too, just be sure to foreshadow enough, yet not give it away too soon so your readers are shocked at the twist!

Question: My main character fights against the police to keep a potentially dangerous creature. Should she do it fiercely, with cunning points and insults? Or should she be more of a beggar, who is too weak to think of anything? Or a bit of both? Answer: That depends entirely on her character. Question: I'm thinking of a novel that starts in Victorian England. The characters will find their way into a different magical dimension, but I haven't been able to start the book doe to the fact that I can't think of a good way to start it.

How do I write a good first line and begin? Answer: If you know the earliest possible scene for your story, start there. You can figure out the very first scene later. Maybe have something that links with something that happens later, or look at the first page of some of your favourite books for ideas.

What hooked you to the last book you read? How can I stay true to some of the legend without falling into overused tropes? Question: Would it be a bad thing if I say, took a character's title or look from a YouTube video or a book? Answer: It's OK as long as it's not a complete imitation and it's not obvious you copied. Inspiration is everywhere! Question: I have a lot of magical artifacts in my novel series, with the first being introduced in book 1.

Throughout the series, the characters realize there are others out there that they must find before the bad guys do. Does this sound too cliche? Answer: Not sure about cliche, but it's not a super original idea. It sounds like the plot of "Harry Potter and the Deathly Hallows"! Any cliche or unoriginal idea can be good if used well. Question: My main character is an immortal demon who wanted to kill the gods and wipe out humanity before he was banished by the remaining gods. His memory was wiped when he escaped his prison, remaining in human form and believing he's human.

He has to battle himself from the past to stop his old demon self from killing the supreme gods. Answer: The key to avoiding cliches is to identify them and know what to do instead. List the things you find cliche in your story and figure out a way to turn that cliche onto its head or do something unexpected that your readers won't see coming. The prophecy is kind of an annoying one.

Harry Potter is a really awesome series, but it would have been so much better without the whole prophecy thing. I love her as an author, and she's part of the reason why I started writing. I'm 13, and I am almost finished my manuscript, and I'm getting ready to look into publishing companies. I have something in my story that I'm scared might be seen as a little overused. The main characters are twins. They weren't seperated at birth, and there's no prophecy about them, but I don't want people to look at my story and go "Oh look, another dumb story about twins.

If you think them simply being twins would turn away people, I could change it so one is older. They abandoned him. Is this a cliche? How original or cliche is that? The timeline and multiverse was breached and his parents and others were sucked in. Is this cliche? You were only ten years old, it's understandable!

There's nothing wrong with cliches if you're just writing for fun or yourself. Don't censor yourself. This is mostly for people who want to go into publishing. So I was looking back and found the remnants of the fist story I ever tried to write when I was about It had the prophecy, the special powers, the dark lord, the powerful artifact, the training, the wise mentor, the surprise royal, and the chosen one. I kid you not. Hi Gemma! Well I'd suggest doing some research on how to write well.

There are many helpful websites with free information. Secondly you need a solid story and great characters. Never give up! I hope you write some great stories! I'm a soon to be fantasy author and I am only in 5th grade. Do you have any advice for me so my novel can be smashingly awesome, adventurous and most important of all : teach my classmates that imagination is important when writing a fantasy novel series??? She also had a great gift of turning cliches on their heads.

Witches using broomsticks? She made Quidditch. Potions and magic spells? They became school subjects. Rowling is actually a fantastic example of taking stereotypes and creating something new from them. Hi, Taylor. As the article says, the tropes shouldn't be banned or avoided completely, and if they're given interesting characteristics or back story, they're perfectly fine. I agreed with a lot of this list, but you could argue some of them are borderline expected tropes.

Take the "Wise Old Mentor" cliche for example. Finding out you're an heir isn't always a cliche, but it might be easy for your readers to guess if the main character's sister is the queen. However, his sister is already High Queen.

He finds out that he is the heir in chapter 58 of the first book. It doesn't really sound cliche at all. No story is completely original, but yours sounds just fine. What kind of powers do they have? I am writing a novel that is based in a different world. My main characters are twins that have to see their parents get kidnapped and need to find them while discovering that their life is basically a lie.

They do have powers but have never known about it. Does any of that sound like a cliche? If it is, do you have any ideas on how I can avoid them? Thank you for commenting. Special powers is completely fine, you don't have to delete or avoid it if it's an essential part of your story. As long as the character has weaknesses too, special powers can definitely be interesting and exciting. Thank you so much for this!

I started writing my fantasy novelette and realised that I had so much of the cliches! What should I do to change the special powers cliche? You simply need to have explosive storylines and action from page one. I completely understand the "wait for it, it gets better" mentality, but unfortunately people won't read books these days unless they grab them from the very first paragraph.

Great article. I constantly attempt to always go the opposite direction from expectations within the confines of a solid storyline. In other words, not simply for effect but as somewhat of a misdirection from where the story plans to go. That said, I've really been struggling with my latest story. I lay out just about every trope there is, right up to the point of nonsensical motivations. I worry it may alienate potential readers who could truly appreciate the originality of my characters that seem, on the surface, to be everything they've seen before.

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