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Nicholas Payton Discography Torrent is friendly in our digital Split Tooth Tanya Tagaq Longlisted for the Polaris Prize Long List: The Weeknd, Arcade Fire, Tanya Tagaq, Destroyer, Abel Tesfaye's fifth album is the most thoughtful, melodic, and revealing.

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After a year of playing the songs live in various formations, we aimed to record in the Australian summer. Stinger, etc studio. The sense of intuitive knowledge and performance was exhilarating as we played. We spent two days in the studio, and when we listened back later, it seemed a compelling representation of what had happened, captured live.

We were friends first, and engaging with the material, there was no formal structure to follow. Our interpretive approach meant the songs grew from simple structural frames and narrative poetics into full sonic landscapes, engaging across pop, folk, psychedelia and improvisation.

Caroline No became—for this iteration—a shifting sonic space tied to intimacy, musical conversation and relationship, expressed in an open improvisatory way. The sound of the record is the result of trust, responsiveness and mutual knowledge. Mastered from the original session tapes and back on vinyl for the first time since the Nixon administration.

File Under: Country Buy Here. Unknowingly he had stepped into a genre prism; suppose we know it now as synth-wave though the tag never landed squarely. Bold, imaginative, and unapologetically cosmic, the set occupies a beloved coordinate in the Com Truise catalog, considered the gateway for many. To celebrate its 10th anniversary, Haley and Ghostly have repressed the long-sold out album on colored vinyl 2LP, giving this classic its due treatment as it passes the milestone.

File Under: Electronic Buy Here. Not many musicians reach the level of artistic personality where you can unmistakably recognize them. It takes character, roots, honesty, soulfulness. Nathan Davis had style. His tone on tenor was unique. So was his soprano sound and his distinctive approach to flute. His musical world was equally original and knew no boundaries. This concert in Paris is audible proof that as a performer, his fluid phrasing, distinct articulation, booming bottom register, growls and shrieks were fuelled by tremendous drive and furious invention—the man was on fire!

Holding no punches, weaving signature phrases, shouts and riffs into his solos, he was a fierce and fervid performer. With a sort of hollow resonance at the heart of his reedy and warm sound, Nathan Davis was a highly original artist, from an era when having a distinct sound on your instrument was the grail of jazz artistry. They play minute, loud, epic songs.

Producing a bombastic stew of druggie bass drone, pulsating rhythmic sex beats, and brain piercing acid flashback guitar leads. And all with the infectious hooky brand of rock their fans have grown accustomed to. Gatefold jacket packaging with an accompanying page illustrated booklet. File Under: Metal Buy Here. Originally issued in by Mute Records, the influential album takes inspiration from a variety of musical styles including s pop, cabaret, folk and electronica. Gatefold colored vinyl LP reissue with exclusive sleeve notes.

File Under: Pop Buy Here. And what was the peak tour from that year? Yup, the fall Midwest tour. It was the first concert of the tour, and in fact at the time it was the first full concert to be released. File Under: Rock Buy Here. So I might as well put only what I want on it, for me. An album for me. Most of the album was recorded as a trio, and it contains more instrumentals than any other GBV album, but like the best LPs in their catalog, the sequencing renders these tracks essential to the flow and mood of the LP.

All ten tracks were recorded at Rockfield Studios and includes contributions from H. That night, surrounded by stars, pine woods and a captivated audience, the quintet delivered a powerful and inspired performance. A certain slowness and deliberateness marks each tug and shove of any given celestial object.

Such a folly is at best unsettling; at worst, cataclysmic. Our vast unearthly soup swirls with a patience largely unknown to mere humans who burn out and rot in the blink of a lunar eclipse. With Universal Resurrection PB , the inscrutable trio suggests a creeping theme, sets it free in zero-gravity, and dares the listener to outpace the patience of its black hole crawl.

Best of luck to those who try, the rest of us await the only universal resurrection we deserve. For fans of grounding issues, psychedelic discomfort, and patient anxiety. File Under: Psych Buy Here. Award, and have amassed million streams to date. In , The Hellacopters signed a deal with Nuclear Blast Records and will return in Spring with their first studio album since over a decade. Restored to remarkable clarity, by producer Dan Auerbach for Easy Eye Sound, these recordings represent the earliest recordings of House upon his return to the limelight after 20 plus years away.

File Under: Blues Buy Here. It was during a brief trip home to Istanbul in that the invisible details of In February were first exposed. A bed for a passing notion, image, moment. Adopting this novel way of working, Isik produced another twelve passages made from loops of unexpected recordings, nothing over three minutes. Eschewing both compositional plans and live performance proclivities, which had informed previous creative explorations, Isik sought a more instantaneous effect.

Minute nylon string refrains, lilting synthesizer hums, and a scrap of a chamber recital are collaged with sympathetic verse and synesthetic details captured around Glasgow and activated at Green Door Studios. Literary images also accompany the sensory of In February, weaving wanderlust symbolism through these spiraling studio and field documents.

Other word works are yoked to this promise. Isik treads lightly between the streams of poetry, sound and photography across In February, together impressing an imagistic lightness and immediacy. Fred Lane were the weirdest, most bizarre, abstractly enigmatic releases any of them had ever heard. Early internet chat rooms and message boards were devoted to solving the mystery. For decades, rumors swirled about them. Then, in , Lane himself surfaced at the University of Alabama for an exposition.

The film, which took more than twenty years to piece together, filled in most of the blanks that had stumped generations of fans. Easily one of the most prolific film composers of all time, Ennio Morricone enjoys a revered status in the world of eccentric music lovers second to no other. Because of this, his oeuvre represents a treasure trove for film music lovers, and now, with Crime, Klimt Ipecac label have made available some of the quirkier gems from among a diverse catalogue.

Beginning his career as a pioneering early synthesist and teacher of computer music, over the past four decades Miguel Noya has contributed greatly to the cultural landscape of Venezuela, and yet before this reissue his music has been largely underheard outside his homeland.

A calm, blissful, protective shield against the dangers and stresses of this unrest. Noya — a graduate of both Berklee College of Music and MIT he holds degrees in Electronic Music and Digital Sound Synthesis, respectively — held his own teaching position in Caracas throughout this period, protecting himself from the trauma with his music.

Musically, you could reference Brian Eno, Jon Hassell or Tangerine Dream, but only in their trailblazing world-forming. Rearviewmirror Greatest Hits is a two-part compilation album by American rock band Pearl Jam, originally released on November 16, through Epic Records. Crawling out of the pandemic into a landscape of intolerance, division, tech-saturation, and imminent eco-catastrophe, theirs is a voice that has rarely felt more significant to contemporary discourse, and more appropriate to sing these stories to the world.

Ever so gradually, we started bringing in new ideas, and turning jams into songs, and after a couple of months the new stuff was all we were playing. The feeling of effortless fun we had when we were playing songs by other people, stayed with us the whole time we were writing.

For me, this record represents our love for, and faith in each other. I [was invited to] the first rehearsal after John rejoined the band and it made me cry. It was so thrilling to see that group of people back together because they made such great music for so long together and it really hit me in an emotional way. At the time, Hamid had just left Libya to pursue his career in Egypt via a detour in London, where he recorded his first album. London also played an important role for Hamid as a musical epicenter.

He fondly reminisces about the many live shows he attended there, including some of the biggest international musicians like Freddie Mercury and Michael Jackson. Luckily, we were able to connect with Hamid through our friend Youssra El Hawary, whose extensive network has opened many doors for us within the Egyptian music scene. While he was down to assist with an interview and his blessing for the project he also told us that for any license we needed to speak with the original label SLAM!

Records in the early s and focused on cassette tape releases, the format that expedited the success of a new generation of record labels in Egypt. By the mid s, SLAM! Recorded roughly a year after Disease Is Relative with a bigger budget, the album is even more wide-ranging, and the songs are more fleshed out.

It has a bit less to do with screaming for death to come than with a growing resignation to being the other, a recognition of inescapable alienation and its relation to childhood trauma. Bits of roots music come into play as well—gospel, blues, and country figure to some extent in a third of the songs, sometimes in convoluted, Beefheart-esque ways, and at other times toying with genre archetypes as a cat does a mouse. File Under: Punk Buy Here. Their new and fourth LP, Step Down, is a direct reflection of the heavy times they were written and recorded in.

Heavy Cinematic Soul, spiritual Jazz-Funk, upbeat Afro-Funk, and deeply introspective rare-groove cuts lace this ten-track transmission vessel. SFSE is deeply defined by the sum of their influences, but always have their eye focused beyond the horizon as well. We think this album will capture your heart immediately, but also provide the depth for discovery upon repeated listens.

This is often done to great effect, think Kraftwerk. But what if there was a unit whose music was synth-generated but the vocals were coming from a hot-blooded, singing-for-the-cheap-seats approach? Vocalist Ari Blaisdell previously of Lower Self, The Beat Offs co-exists excellently amidst the driving beats and synth waves and her guitar further helps to jailbreak the tunes from the often sterile entrapments that synths provide. Takedown, Mr. Elevator, Devon Williams. How dare they!

Prove them wrong! Reduce their snark to mere pseudo-intellectual piffle! Your lifeline arrives in March. Grab it. Barney Wilen easily holds his own on his first major meeting on a record date with major American jazz stars. Veering through early bleep and hip house, electro, boogie, Iberian pop and much more, it has broad appeal to both Balearic heads and diggers alike. For the first time ever, it brings to light and groups together some gems from an era that without it, would likely remain hidden from view.

Black Emperor: Allelujah! Totally forgot to update this intro last week, but probably hardly anyone reads it or noticed. But anyway, loads of killer slabs in this week!!! AND a whole bunch of other nice things both new, and restocked! Dig in! They all share a patented sense of emotional intelligence and deep funk imagination that percolates their beyond-the-dance tekkerz. Composed entirely of vocalists with no academic training, the group developed various techniques—revolving mostly around the use of overtones—that would embody their unique sound.

This is not due to chance: indeed, the very name of the group points to a specific path, namely, the unfolding of the potential implicit in the alchemical symbol as embodying a process of transmutation of consciousness. This is music on the nod, an elixir for the sleepwalking flaneur. Shabason and Adams have been collaborating for years, forming the production team behind the celebrated experimental synth pop trio Diana, but their relationship has often been fraught with creative tension.

Afterwards, the pair would chat in the alleyway behind the studio, drinking espressos, a daily practice that became an antidote to the chaos of pandemic life. Through this daily ritual a creative spark was reignited and they decided to start exchanging ideas, but rather than working together in the studio as they had in the past, the circumstances required them to collaborate remotely. Through this distanced connection the youthful tension and ego of the past eroded, evolving into a deep trust.

Escaping the gravitational pull of a planet in distress, the duo composed a sonic love letter adrift in weightless ambient electronics, fourth world jazz visions, and cyborg IDM riddim technologies — an ode to a long friendship which has strength because it has travelled through so many galaxies and vortices. Fly Me to the Moon is a limited edition pressing with risograph printed insert and designed for future archives.

Apollo Ghosts draw on a long history of independent and locally focused music making, from Flying Nun to K Records to their own Vancouver scene, to reinvigorate indie guitar rock songwriter with ambition and poise. Following his triumphant debut, For Emma, Forever Ago, was never going to be easy but Justin Vernon did it with aplomb. File Under: Comedy Buy Here. Next to the hundreds or even thousands of slick productions flowing out of Nashville and Los Angeles, Jimmy Carter scoured his rural Missouri surroundings for farmhands and semi-pros alike to lay down eight farm-isolated originals in Tasty female backing vocals, languid pedal steel, and feisty guitar licks abound on this exalted and near-peerless slice of Cosmic American Music.

Charlier hit a creative stride in the s — armed only with a synth, drum machine, fuzz box, and his custom guitar, with occasional duets with vocalist Martine Doutreleau. He recorded a trove of proto-pop tunes which he self-released on three cassettes Musique Regressive, Chansons Idiotes and Chansons Tristes between — Accompanying the release is a postcard featuring a behind-the-scenes performance photo and visual score by Charlier.

Henry was raised in a Rastafari community when the religious movement was still in its infancy and marginalized within Jamaica. It was there that he began performing Nyahbinghi, the Rastafarian devotional music that combines the influences of African drumming and Black gospel. Henry found himself in Kingston in the late s where he worked for Coxsone Dodd at the legendary Studio One. As Rasta filtered into the mainstream, Henry released more music including albums for Trojan, Dynamic and Grounation labels.

Produced by Lloyd Charmers, the album features slinky basslines, wah-wah guitar, hypnotic keyboards, dubbed-out studio trickery and, of course, the propulsive drumming and rhythmic chanting characteristic of Nyahbinghi. Antarctica Starts Here presents the first widely available domestic release of Peace and Love — Wadadasow. Liner notes by JR Gonne.

File Under: Reggae Buy Here. More than an arcane puzzle for the listener, Labyrinthitis warps and winds through unfamiliar territory for Bejar as well. Initial song ideas ventured forth from disco, Art of Noise, and New Order, Bejar and Collins championing the over-the-top madcappery.

Folk and poetry prevail. Her guitar moves like an appendage. Thematically this record gives a face to feminism that is both beautiful and accessible to anyone. The stories focus on relationships and humanity. The love songs examine relationships with the same discernment as the political ones. File Under: Folk Buy Here. Tagaq is an improvisational singer, avant-garde composer and bestselling novelist. Contact Tanya Tagaq. Streaming and Download help.

Report this track or account. If you like Tanya Tagaq, you may also like:. I always tell people that recommend me jazz that I don't like jazz, but this album showed me that that is an utter lie. Apparently I love jazz, and this album made me realise it. I just thank you. Just amazing. To think they've made arguably their best album after 27 years is mind blowing. Bears multiple listening, and I love the way it's structured - each track in is own place, a proper album.

More please! Big Science by Laurie Anderson. Black Encyclopedia of the Air by Moor Mother. Some of the most interesting hiphop I've had to hear in years. In takes in all fields of music to create something rather unique. The mood of it is rather grim but not without hope. I'd recommend to listen to it fully in one go to get the best of it. Thibaut Devigne. Bandcamp Daily your guide to the world of Bandcamp. Mille Petrozza stops by to talk about the new Kreator album, plus music by Trauma Bond.

Get fresh music recommendations delivered to your inbox every Friday. We've updated our Terms of Use. You can review the changes here. Tongues from Tongues by Tanya Tagaq. The industrial sounding drums and eerie whistles provide a perfect backdrop for this message. Looking forward to the album release!

Ned Raggett. Richard Weems.

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